Monday, May 15, 2017

A Chat on Jean Rollin At Electric Sheep

I recently had the honor of being interviewed by editor, film historian and writer Marcelline Block about the career and films of Jean Rollin and that chat can now be read over at Electric Sheep.


Thank you very much to Marcelline for the questions and I hope our talk proves enjoyable.

Thursday, May 11, 2017

FULL CIRCLE Fan Channel on YouTube

Longtime readers here will know that one of the films that I am most passionate about is Richard Loncraine's stunning 1977 masterpiece Full Circle (The Haunting of Julia).  While this mesmerizing work is still unavailable on DVD or Blu-ray fans are becoming more and more vocal about their love for it and some exciting things are happening.  There is a very active Facebook page dedicated to the film where you can keep up with news about it and see lots of vintage material.  There is also an upcoming article about the making of the film by Simon Fitzjohn in the upcoming issue of The Dark Side.  Last, but certainly not least, Mr. Fitzjohn has started a Full Circle Fan Channel on YouTube which I invite everyone to subscribe to and follow.  Two videos have been posted so far with more to come Fingers crossed that this all leads to one of the great films of the seventies finally getting the special edition home video release it has so long deserved!

Monday, May 1, 2017

Operation Screenshot: Jonathan Demme's MARRIED TO THE MOB (1988)

"As a kid, a little kid, I loved going to the movies, and now I love making movies."
-Jonathan Demme-

Tuesday, April 25, 2017


The Indiegogo campaign for Spectacular Optical's upcoming book Lost Girls:  The Cinema of Jean Rollin is now live and taking donations.  Head over to the campaign to see samples from the book and read about the exciting 'perks' that are being offered to contributors.  Be sure to donate if you can and please help spread the word via social media and your own sites.  Here is a preview of the book, featuring editor Samm Deighan, that Spectacular Optical have just released.

Sunday, April 23, 2017

Mike Figgis' STORMY MONDAY Special Edition Blu-ray Coming from Arrow!

Among the most welcome reissue announcements this year is that Arrow Films will be releasing Mike Figgis' incredible Stormy Monday as a special edition Blu-ray here in the United States and Britain!  One of the eighties most evocative and original works, Stormy Monday has been in long need of a reappraisal and this new Arrow release looks incredible.  From the press release the disc's contents include:

• High Definition Blu-ray (1080p) and Standard Definition DVD presentations 
• Original stereo audio (uncompressed on the Blu-ray Disc) 
• Optional English subtitles for the deaf and hard of hearing 
• Audio commentary with Mike Figgis, moderated by critic Damon Wise 
• New video appreciation by critic Neil Young, and a “then and now” tour of the film’s Newcastle locations
• Theatrical trailer 
• Reversible sleeve featuring original and newly commissioned artwork by Jacey 

FIRST PRESSING ONLY: Booklet featuring new writing by critic Mark Cunliffe

More information can be found at Arrow's US and UK sites and please follow along at Facebook, Instagram and Twitter as well.

-Jeremy Richey, 2017-

Donate to the Cult Epics Indiegogo Campaign

There are just a few days left to donate to the Cult Epics Indiegogo campaign and there are still a number of great rewards remaining including the upcoming Cult Epics hardcover book and the all new Blu-ray special edition of Death Laid An Egg! Head over to Indiegogo to support Cult Epics and help spread the word at Facebook and Twitter. Thank you!

Wednesday, April 19, 2017

ART DECADES Issue 11 Featuring Ian Preston Cinnamon of aTelecine is Now Available

Issue 11 of ART DECADES is now available on Amazon! Our feature piece is a 26 page spread of unreleased photos by aTelecine founder Ian Preston Cinnamon, who is also responsible for our beautiful cover photo of Belladonna. The issue also contains several tributes to William Peter Blatty, including a moving piece by Bryce WilsonKelley Avery-Richey interviews the hip-hop trio Loyal-TMarcelline Block interviews photographer Miles Ladin and Tara Hanks interviews author Michelle Morgan. Original photospreads are also included along with some additional surprises. Thanks so much to our contributors for their great work and readers for the continued support!

Copies are available at Amazon , Createspace and eBay.

Follow us at Twitter, Facebook, Tumblr and Instagram.  

Monday, April 17, 2017

ARE YOU IN THE HOUSE ALONE?: A TV MOVIE COMPENDIUM 1964-1999 edited by Amanda Reyes

The much anticipated new book from Headpress, ARE YOU IN THE HOUSE ALONE?:  A TV MOVIE COMPENDIUM 1964-1999, is now shipping via Amazon and your favorite bookseller of choice.  Two versions of this Amanda Reyes edited guide are available via Headpress as well, the trade paperback and the deluxe hardcover.  

This beautiful book contains a number of original pieces by Made For TV Mayhem's incredible Amanda Reyes as well as contributions from the likes of Kier-La Janisse, Daniel Budnik, Lee Gambin, David Kerekes, Jennifer Wallis and many more.  

I am currently working my way through this informative and valuable book and I highly recommend it.  Also, keep a look out for a new interview with Amanda Reyes in the upcoming summer issue of my own publication, ART DECADES.

Friday, April 14, 2017

A Week Beats A Year: In Tribute To Toshio Matsumoto and FUNERAL PARADE OF ROSES (1969)

We have lost yet another movie-making giant. Toshio Matsumoto, one of the great cinematic rebels and non-conformists, passed away this week at the age of 85. Matsumoto was a great artist and fierce boundary pusher who challenged his viewers as much as he enlightened and entertained them. For my own little tribute, here is a piece I wrote about his absolutely breathtaking 1969 work Funeral Parade Of Roses back in 2013. It's a film unlike any other and Toshio Matsumoto was a filmmaker like no other. 

Thinking of Toshio Matsumoto's 1969 cinematic powerhouse Funeral Parade of Roses...a brick hurled through a window of complacency...a raging kick to the face of traditional narrative cinema...a retelling of Oedipus that transforms that classic legend into something altogether new.
The questions one gets asked after typically viewing a film are mute in regards to Funeral Parade of Roses.  "What's it about?" and "Did you like it?" have no place here and are like asking someone if they had 'fun' at a protest against oppression. 
Product of its time?  YES but in the best way possible.  This has the kind of passion and anger that simply no longer exist in today's cinema.  We've traded soul and intensity for a day at the mall glued to small films on small screens that fit in our pockets. 
The Plot of Funeral Parade of Roses doesn't hold my attention...instead it is the elements that it transcends in every frame that hits me (I beg for its punch time and time again).  Opening shot...blinding white light.  Is that a boy and a girl?  Boy and a boy?  Unclear until it pulls into focus and we are thrown into a labyrinth of confusion that questions gender, sexuality, family, life, death and beyond.
Relations?  Warhol, Morrissey...their deconstructive techniques are apparent.  Rollin's Rape of the Vampire is its bloody sister in arms from a year before.  Brakhage (sure), Deren (of course).  How about Kubrick, who loved Funeral Parade of Roses so much that he paid tribute to it stylistically and spiritually in his A Clockwork Orange a few years later.  Ultimately this is punk rock before the term was coined, exploited and made meaningless.  That brick through the window reflecting the student riots happening in Paris, Japan and all over the free thinking world in 1969. 
The art of deconstruction....destruction of our scripted roles in life, love and death.  It's that final shot of Godard's Weekend with the ominous "End of Cinema" flashing on the screen taken several steps further.  It's a beautiful monster that no modern special effects house could muster.
It's a party film with a wild youthful abandon breaking through every moment...Superbad for the art house as a celebration of questioned gender roles and rampant unhinged sexuality.  And that ending has the kind of visceral impact only perhaps Deodato later stumbled upon. 
It pops with an eye gouging intensity that builds and builds until a wonderful moment when an old man stumbles exhausted onto the screen and thanks everyone for attending.  Thank you and you are very welcome!  A little moment that could have derailed the film completely but this bold and audacious act is like the film itself...a joyous revolution turning a mirror back to the audience.  Toshio Matsumoto stating Lou Reed's "My Week Beats Your Year" in the purest cinematic way imaginable. 

-Jeremy Richey, 2013-

Funeral Parade of Roses remains unreleased on disc in The United States.  Region 2 imports are available.